![]() Working together with his long-time cinematographer Dan Mindel, it's no surprise the pairing isn't shooting digitally. JJ Abrams is very much wedded to the idea of film. However, It isn't necessarily a case of the franchise completely turning its back on digital as a way to capture the Star Wars universe – it's all about the tastes of the individual directors. This can affect colour and clarity, but also gives a definitive look to images captured on film. There is a randomness to film that it's proved impossible to simulate digitally, because of the inevitably slightly varied chemical composition of celluloid. So these are brand new characters that we're meeting, but I wanted it to look and feel the way the original trilogy did."Īnd many directors feel there is a tangible quality to 35mm film that is impossible to replicate with clean, regimented digital images. "This was very much about new characters and a new story, and like Star Wars has always been at its best, a generational tale of understanding young people and understanding their place in the world. "This was really important, that the movie, in a way, go backwards to go forwards," Abrams told Screenrant. The decision to shoot on film is in part an effort to recover the feel of the beloved original trilogy, when the prequels have been subjected to a whole lot of hate. When Abrams' production company Bad Robot tweeted an image of the IMAX camera on location with the hashtag #bestformatever, it made it clear how Abrams feels about the super-celluloid format.
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